Leica MP6

This camera was the Prototype Leica MP made exclusive for the Japan Market and only 250 units made out of the factory, making it extremely rare and collectible.

The MP-6 was basically the same as a regular MP, but it comes with the classic vulcanite leather found on the older Leica cameras, a Leica Camera AG Germany engraving on the top plate and on some of the later models an M6 iso selector. These simple cosmetic differences may not sounds like much, but they really make a difference and are instantly noticeable. They set the camera apart from the regular MP.

Leica MP Anthracite

This Limited Edition Leica MP was designed exclusively for the Japanese market and limited to 600 units with only 400 actually made out of Leica factory.

Its lacquering is entirely hand-applied with Anthracite, and is resistant to abrasion. Anthracite came from Greek word, literally means "a type of coal", from Anthrax. It is a hard, compact variety of mineral coal that has a high lustre. It has the highest carbon count and contains the fewest impurities of all coals, despite its lower calorific content. It is one of my favourite Leica MP Editions.

Leica MP Olive

Leica MP Olive Set which was released to commemorating the opening of the Leica Kyoto store.

Leica MP olive set combines a Leica MP analog film camera with a 35mm f1.4 Summilux-M in silver finish and a cognac color strap. The body and the top and blase plate are made with a olive-colored finish. All operating parts are finished in silver chrome. The set is limited to 100 sets worldwide. It is one of the rarest Leica film cameras.

Leica M6 Green Paint

Leica M6 TTL Green Paint

Only 300 pieces were made comparing to the 2,000 pieces of the M6 TTL Black Paint Millennium.

Special features included:

* Green paint finish, Top and base plate are brass

* Leica Script top plate engraving

* M3 style rewind and advance lever

* Besides the usual serial number, there is also set number marked on the hot shoe "xxx-300"

Leica Camera Collectors Guide

This Collector’s Guide is a reflection of personal preferences. It contains rare and collectible limited edition Leica Cameras. The guide will be continuously updated with Leica collectibles.  

Leica Cameras

Leica KE-7A

Leica M3 Olive

Leica M6J 

Leica M6 LHSA

Leica M6 Millennium

Leica M6 Green Paint

Leica MP3

Leica MP6

Leica MP Olive

Leica MP Classic

Leica MP Titanium  

Leica MP Anthracite

Leica MP Hammertone  

Angenieux P2 100mm F2.5 Lens

The extremely rare Angenieux P2 100mm F2.5, the little brother to the ultra rare Angenieux S3 100mm F2 and even less frequently available on the market. If you don’t have the big budget of $50,000+ for the Angenieux S3, then the Angenieux P2 is a great alternative at one third of the price.

Gallery 

Angenieux S3 75mm F1.8 Lens

Angénieux is a French optics company in Paris founded by Pierre Angenieux in 1935. It has manufactured lenses for still and movie cameras, and also for military applications. 

The Angenieux Type S3 Lenses are the rarest and most expensive offered by Angénieux Paris. The Angenieux S3 75mm F1.8 is arguably more rare and better portrait performer than the Amazing Angenieux S3 100mm F2. It is the Holy Grail of Angenieux Lenses due to its insane rarity but also it’s magical rendering, thus demands astronomical prices in the current market.

What’s so magical about the Angenieux S3? It combines the best of both worlds, the sharpness and charmastic rendering from the Angenieux S5 & P1, with slight hint of the magical glow from the S21. The bokeh is very unique with a swirly character and is extremely smooth.

Specifications

Lens Mount: Leica M

Format: 35mm | 120mm (Covers Medium Format)

Focusing: Manual Focus (MF)

Diaphragm: 12 Blades

Maximum Aperture: F1.8

Minimum Aperture: F22

Closet Focusing Distance: ~0.8m

Filter Size: 49.5mm

Gallery 

Dallmeyer Septac Anastigmat 2inch 50mm F1.5 Lens

Dallmeyer Pre-Septac Anastigmat 50mm f/1.5

Dallmeyer is an English Lens Company made by J.H. Dallmeyer. Their cinematic lenses are famous for its out of focus rendering and oil-painting quality bokeh. The Septac Lens composition is Seven elements in Four groups with Double Gauss Type Glass Design. Due to its extremely limited numbers that generally demands astronomical prices on the market.

Dallmeyer can be graded from Kinematogrph, Super-Six, Dallac, Speed and Septac. This belongs to the “Pre-Series,” which is before everything and the earliest Septac. This is much rarer than Septac and offers better rendering with oil-painting style bokeh. The lens been uncoated, making it perhaps the Rarest Dallmeyer Lens.

Gallery  

Kodak Cine Ekton 50mm f/1.5 Lens Gallery

Kodak Ekton 50mm f/1.5 Lens

Kodak Cine Lens Made By Angenieux

My Pathway to Document this Incredibly Rare Cine Lens (Regular Update)

Kodak Cine Ekton 50mm f/1.5 lens is the ultra rare “Kodak” edition of the Angenieux Type S5 50mm f/1.5 lens. It is the Kodak Cine Lens Made By Angenieux Paris. This Cine Lens produces cinematic rendering with strong movie mood and rich colour saturation. It offers even better bokeh and colour tone than the normal Angenieux S5.

The Kodak Ekton produces incredibly sharp images when shooting wide open just like modern aspherical lenses and renders film like qualities under extreme low light conditions.

Rendering:

• Produces “Movie-Like” Images
• Original Cinematic Effects
• Smooth and Unique Bokeh
• High Contrast
• Rich Colour Saturation
• Film Grain Qualities (Night Scenes)
• One-of-Kind Cine Lens

Fujinon 5cm f/1.2 | Fujinon 50mm F1.2 LTM Lens

The Fujinon 5cm f1.2 lens is an urban myth in the world of ultra fast lenses. It is seldomly seen and there is little information written on this highly collectible and ultra rare beauty.

This lens is commonly known as the Fujinon 50mm F1.2 LTM lens that is capable of competing against the Legendary Japanese ultra fast lenses such as the Canon 50mm F0.95, Zunow 50mm F1.1 or Nikkor 50mm F1.1 LTM lens.

Production Versions

• LTM Mount in Black & Chrome Version (Less than 800 units)
• Nikon S Mount (Less than 50 units)

Most of the Fujinon 5cm f/1.2 lens was offered in Leica Screw Mount in either Chrome or Black finishes. Fujinon also produced a few in Nikon S Mount for Nikon Rangefinders, which is reviewed here but they are never seen on the market and hidden away in cabinets by true collectors.

Build Quality 

The Fujinon 50mm F1.2 LTM is a compact lens for its fast aperture and the weight of the lens is relatively light. It is solid all metal construction but subpar compared to modern Leica lenses build quality. It balances well on Leica M Rangefinders due to its compact and solid lens body.

Image Quality

The Fujinon 5cm f/1.2 offers spectacular image performance for a vintage ultra fast lens. When shooting at maximum aperture  of F1.2, the bokeh is exceptionally smooth and the rendering is very pleasant. The colour rendition of the Fujinon is towards the natural side with typical Fujifilm signature and the contrast produced is excellent as well.

There is no present chromatic aberration but the lens exhibits slight vignetting when shooting wide open due to been a vintage lens design. However, the sharpness increases significantly and vignetting goes completely away when reaching aperture of f4 or greater. Overall, the Fujinon 5cm f/1.2 provides stellar optical performance and produces eye-pleasing images. 

Practical Use

The Fujinon 5cm f/1.2 lens reviewed here is in Nikon S Mount originally designed to be used on Nikon Rangefinders. However, through a custom made Nikon S to M Mount adapter by Amedeo, the lens will work flawlessly on Leica M Rangefinders. The Amedeo adapter is made with full brass and six bit coded with capability for rangefinder coupling.

The focus ring is very smooth when turning during practical use. The aperture ring does not have clicks when selecting the aperture like modern Leica lenses and turning feels towards the loose end. 

Specifications

Lens Mount: LTM | Nikon S

Production Year: 1954

Construction: 8 Elements / 4 Groups

Diaphragm: 12 Blades

Maximum / Minimum Aperture:  F1.2 - F16

Filter Size: 58mm

Weight: Nikon S / 305g | LTM / 403g

Conclusion

The Fujinon 5cm f/1.2 lens is another legendary lens made in Japan by Fuji back in the 1950 to 1960s during the competition to produce world’s fastest lens along with Zunow, Canon and Nikon. It is even more rarer and seldom seen, which makes the lens most desirable among the world of ultra fast lenses.

Nikkor 5cm f/1.1 | Nikon 50mm F1.1 LTM Lens

Nikkor 50mm f1.1 lens was the world’s second fastest production lens since the release of Zunow 50mm f1.1. Zunow began the development for ultra fast lenses in 1953 and Nikon joined the competition a few years later in 1956.

The Nikkor 50mm F1.1 is a rare and collectible lens. It is an impressive lens that offers ultra shallow depth of field at f1.1 in reasonable size and weight.

Production Versions

1. Internal Nikon Mount (1500 units)
2. External Nikon Mount (1800 units)
3. Leica Screw Mount / LTM (200 units)

The Lens also can be modified to Leica M Mount through a professional technician, which allows it to be used on Leica M Rangefinders without the need of adapters.

Build Quality

The Nikkor 50mm F1.1 is a solidly constructed lens with different barrel design but same optics throughout its version variants. Normally, the barrel design is consisting of a black paint lens body with a chrome barrel ring on top. The lens reviewed here has been modified to Leica M mount, which displays an extra section of mount finished in matte black.

The size and weight of the lens is similar to the Voigtlander 50mm F1.1 or the Leica 50mm F1.2 Noctilux, which is not too heavy and well balanced on Leica Rangefinders. The lens is relatively compact considering it is an ultra fast lens with a maximum aperture of F1.1.

Common Issues

A) Separated Lens Element

B) Damaged Diaphragm Blades

Both issues can be fixed by a skilled technician.

Image Quality

The Nikkor 50mm F1.1 produces decent sharpness when shot wide open and offers a very shallow depth of field. At its maximum aperture of F1.1, It is sharp in the center but soft around the corners. However, the sharpness increases gradually when stepping down until it reaches peak sharpness at F8. The rendering of the lens is very similar to its little brother the Nikkor-SC 50mm F1.4  with classical Nikon rendering and signature vintage soft glow when shot wide open.

Nikon applied their lastest optical technology at the time by applying guass elements to three convex lenses. This results more glass to weaken each lens element in order to reduce the curvature of field and correct spherical aberration As a result of its symmetric optical design, the lens achieves low distortion, minimal lateral chromatic aberration and high resolving power.

Nikkor 50mm F1.1 vs Canon 50mm F0.95

The Canon 50mm f0.95 is about twice the size of Nikkor 50mm f1.1 and the Nikkor 50mm f1.1 is about half of the weight of the Canon 50mm f0.95 lens.

The Canon 50mm f0.95 was produced in greater numbers hence is much less expensive. The Nikon lens design is 9 elements in 7 groups and the Canon design is 7 elements in 5 groups. Therefore, the Canon used a newer optical design in their lenses that requires less elements allowing extra light to be transmitted.

Conclusion

The Nikkor 50mm F1.1 lens was designed more than 50 years ago and still remains a legend in the rangefinder world. As the second ultra fast lens ever produced in history and it continues to live up to modern imaging standards.

Specifications

Production Year: 1956

Construction: 9 Elements / 7 Groups

Lens Design: Optics designed by Murakami Saburo. Gauss type elements with three rare-earth lanthanum convex lenses

Maximum / Minimum Aperture:  F1.1 - F16

Closet Focusing Distance: 1m

Filter Size: 62mm

Weight: 400g

Leica MP Collection Guide

Leica MP stands for “Mechanical Perfection” which marks the pinnacle of Leica film cameras. Leica MP is a personal favourite film camera and I have had the pleasure of owning all sorts of variants Leica MP cameras including Leica MP Black Paint, Leica MP Matte Chrome a la carte, Leica MP-6, Leica MP3 LHSA, Leica MP Anthracite and other Limited Editions.

Read below for the Most well-known and Rare collectible Leica MP Editions:

Leica MP

Ongoing Production

The Leica MP with its perfection craftsmanship incorporating cosmetic features of the M3 including the advance and rewind levers combined with the modern conveniences of the M6 such as TTL metering, shutter speed dial, film loading and motor interface. This combination created the most mechanical perfected film camera ever by Leica hence named the “Leica MP.”

Leica MP-3 LHSA

Limited to 1000 Pieces (Worldwide)

Leica MP-3 was produced for LHSA (Leica Historical Society of America) back in 2005. The Leica MP-3 retains that Classic M3 look incorporating the convience of a Leics MP body, this combination is what is making it highly desirable. Leica produced 1000 sets of the MP-3 including 500 in chrome and 500 in black paint. All of the sets came in a very nice presentation box, with the camera, Leicavit winder (classic style) and a special edition 50mm Summilux APSH Lens.

The Leica MP3s are a close reproduction of the original Leica MP from the 1950s and 1960s. Only the front battery cover and the back adjusting dial for film speed indicate that the MP3 body is based upon the M6. The MP3 has the raised viewfinder window frame, extended eye bolts (for attaching the strap), and an external frame counter.

Leica MP-6

Limited to 250 Pieces (Japan)

The Leica MP6 was the Prototype Leica MP made exclusive for the Japan Market and only 250 units made out of the factory, making it extremely rare and collectible.

The MP-6 was basically the same as a regular MP, but it comes with the classic vulcanite leather found on the older Leica cameras, a Leica Camera AG Germany engraving on the top plate and on some of the later models an M6 iso selector. These simple cosmetic differences may not sounds like much, but they really make a difference and are instantly noticeable. They set the camera apart from the regular MP.

Leica MP Hammertone LHSA

Limited to 1000 Pieces (Worldwide)

The Leica MP Grey Hammertone LHSA is the 35th Anniversary model for the establishment of the Leica Historical Society of America.

The Camera incorporating a distinctly rare and unique grey hammertone finish, appers to be struck by a hammer. The Leica MP Hammertone Kit includes a Summicron-M 2/35 ASPH lens with the retro look of the 1950s and a Leicavit-M Rapidwinder.

Leica MP Anthracite

Limited to 600 Pieces (Worldwide)

The Highly Exclusive Special Edition Model was designed especially for the Japanese market and only limited to 600 pieces. Its lacquering is entirely hand-applied with Anthracite, and is resistant to abrasion. Anthracite came from Greek word, literally means "a type of coal", from Anthrax. It is a hard, compact variety of mineral coal that has a high lustre. It has the highest carbon count and contains the fewest impurities of all coals, despite its lower calorific content.

Leica MP Edition Hermès

Limited to 500 Pieces (Worldwide)

The elegant LEICA MP Hermès Camera, known as the “Edition Hermès” is a special edition of 500 silver-chrome Leica MP cameras covered with exquisite Barenia calfskin supplied by the famed Parisian high-fashion house Hermès.

Leica MP Olive

Limited to 100 Pieces (Japan)

Leica MP Olive Set which was released to commemorating the opening of the Leica Kyoto store.

Leica MP olive set combines a Leica MP analog film camera with a 35mm f1.4 Summilux-M in silver finish and a cognac color strap. The body and the top and blase plate are made with a olive-colored finish. All operating parts are finished in silver chrome. The set is limited to 100 sets worldwide.

Leica MP Blue Satin

Limited to 10 Pieces (Germany)

Leica Camera AG specifically the Leica Store Berlin will celebrate its 10th anniversary with a very special Limited edition Leica MP Camera, which limited to only 10 units worldwide.

 "The camera housing with all controls as well as the complete version of the Summilux-M 1.4 50mm ASPH. Are neither lacquered nor chromium-plated, but are treated with blue lacquer. Blue Stain (german: "Blaubeize") is an intermediate step in production and stretches as the carrier surface for a later painting. Instead of the varnish we sealed the blue stain two times. This gives the combination a unique look which, on the one hand, subtly underscores the tool character, but on the other hand it also gives a subtle elegance. Each of the 10 cameras has a slightly different "pickling" and is absolutely individual."

Finishing off the camera is a housing cover made of soft grey cowhide and the black frame counter has red engravings. Each one also comes in a special edition box with neck strap.

Leica MP Titanium 

Limited to 150 Pieces (Japan)

The Leica MP Titanium (0.72) camera was introduced in April 2007 to commemorate the 1st anniversary of the opening of Leica Store Ginza in Tokyo, Japan. It was produced exclusively for the Japanese market and limited to only 150 pieces, which was never made available for sale anywhere other than the Ginza store in Japan.

All exterior metal parts and fittings are made of titanium, similar to the Leica M7 Titanium and the Leica M9 Titan. The camera weighs approximately 90 grams less than a regular MP. Even the special body cap is made from titanium, as is the ISO selector disc on the back of the camera. Titanium is a strong and lightweight metal which is also corrosion resistant, so this camera is very well protected. Unfortunately titanium is a very difficult metal to work with, as it has a very high melting point temperature making it an expensive metal to use in mass production. The Leica MP Titanium is one of the rarest and most beautiful modern M cameras that Leica has ever produced.